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Summer Horror and Art Link Roundup
As summer winds down and I get ready to kick this blog back into high-gear for autumn, here are some art/horror/curating links from the past couple of months: James Morgart’s Hostile Rebirth of Horror:...
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Sound of Fear
This Saturday (3 September) as part of the Vision Sound Music Festival at the South Bank Centre is London is the Sound of Fear. Quite related to a link I mentioned earlier on sound/music/affect in...
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Thoughts on “the Art of Fear”: film viewership and why horror?
The first screening of the two-part The Art of Fear series (which will hopefully become a multi-part expanded series) launched last Wednesday to great success with a collection of works by Takeshi...
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The Art of Fear: Ghost Stories on October 19
The second part of The Art of Fear artist film exhibition is this Wednesday (October 19) in the upstairs lobby at Nitehawk Cinema! The event is free and starts at 7pm with films beginning shortly after...
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Now on Network Awesome: The Burning and A Bucket of Blood
Two essays of mine have landed on the fabulous Network Awesome: The Burning (horror film and 1980s politics) and A Bucket of Blood (satirical horror and the art world). Check them out: What Makes a Man...
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Behind the knife: horror versus terror
Differentiation by Evan Calder Williams between horror and terror that reflects both a representational turn (in terms of genre) and in real-life manifestations. Horror is repetitive, recyclable,...
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Book review: House of Psychotic Women
Per the enthusiastic recommendation by Fangoria‘s Sam Zimmerman, I recently purchased and immediately devoured House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and...
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Aida Ruilova – GONER (2010)
Quiet, guttural, and violent, Aïda Ruilova’s Goner (2010) is an intimate and full throttle engagement with the unknown. A young woman, clothed in only a long t-shirt and underwear, is covered in blood...
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Five Questions on Horror & Architecture: AIDA RUILOVA
Artist and filmmaker Aida Ruilova provides the first set of answers to a series of questions about horror and architecture The Girl Who Knew Too Much is asking artists, filmmakers, curator, and...
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Familial History (Sculpture, Film and Horror): a Q&A with Darren Banks
Darren Banks explores familial and technological histories through the integration of a filmic and sculptural language. Incorporating all the things we love here at The Girl Who Knew Too Much – cinema,...
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